Lots 100 through 200 - Detail

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Main Catalogue
	100 JEAN DONALD SWIGGETT (American 1910-1990) Nascence Oil on artist's board 16 x 20 inches/40.6 x 50.8 centimeters Signed lower right "Jean Swiggett;" Verso: Titled and signed in pencil "Nascence, $50, Jean Swiggett" Frame: 19 x 23.25 inches Estimate: USD 2,500-3,500
	101 THEODORE FRIED (American 1902-1980) Flowers Oil on board 21.50 x 21.25 inches/54.6 x 54 centimeters Signed lower right “Th. Fried” Verso: Signed, titled and inscribed with artist’s address “Theodore Fried, Flowers” Frame: 30.50 x 30.25 inches   Estimate: USD 1,500-2,500
	102 FLETCHER MARTIN (American 1904-1979) The Pineapple Oil on artist's board 9 x 12 inches/22.9 x 30.5 Signed upper right "Fletcher Martin" Verso: Titled and signed in pencil "Pineapple (oil) Fletcher Martin" Frame: 15.75 x 19 inches   Estimate: USD 4,000-6,000     EXHIBITION HISTORY: Verso exhibition label reading: "From the Galleries of the Associated American Artists, 711 Fifth Ave., New York, N.Y.; artist: Fletcher Martin, title: The Pineapple, medium: Oil, price: $175, no.: P7103."
	103 JON CORBINO (American 1905-1964) Ballerina in Yellow, circa 1940 Oil on canvas 14 x 10 inches/35.6 x 25.4 centimeters Signed lower left "Corbino", framed in a gilt wood Badura frame; Verso: Signed and titled in brown ink with artist's address; Two Badura frame labels Frame: 20 x 16 inches Estimate: USD 3,000-5,000
	104 ROBERT BRACKMAN (American 1898-1980) Still Life, 1932 Oil on canvas 31.50 x 41.50 inches/80 x 105.4 centimeters Signed lower right "Robert Brackman" Verso:  Signed, titled and dated “Robert Brackman, Still Life, 2-32;” Gallery label reading “Louis Stern Galleries, Beverly Hills, California, Robert Brackman, Still Life, 1932, oil on canvas, Toward Abstraction: American Art Between Wars, May 15, 1991 – July 15, 1991” Frame: 37.75 x 48 inches Estimate:  USD 5,000 – 7,000
	105 CLYFFORD STILL (American 1904-1980) Untitled (Indian Houses at Nespelem), 1937 Oil on canvas 22 x 28 inches/55.9 x 71.1 centimeters Signed lower left “Clyfford/37” Frame: 28.75 x 34.75 inches   Estimate: USD 100,000-150,000
	106 DALE CHIHULY (American b.1941) Seaform Set, 1981 Blown glass Composed of three elements in brown and opalescent glass with Teal Lip Wraps The largest element signed and dated “Chihuly, 1981” The middle element inscribed “Chihuly, Pilchuck, 1981” Height (large): 5.9 inches/15 centimeters Diameter (large): 15 inches/38.1 centimeters Height (middle): 6.1 inches/15.5 centimeters Diameter: (middle): 8 inches/20.3 centimeters Height (small): 5.50 inches/14 centimeters   Estimate: USD 4,000-6,000
	107 RAYMOND JONSON (American 1891-1982) Chromatic Contrasts No. 29 (Polymer No. 10-1958) Polymer on canvas 24 x 31.50 inches/61 x 80 centimeters Signed lower middle and dated "Jonson 58"; Verso: Titled in black ink "Chromatic Contrasts No.29 Polymer No.10-1958;" Signed in pencil "Jonson;" Attached envelope verso: Artist's details of materials and instructions for care and cleaning of painting Frame: 27 x 34.75 inches Estimate: USD 5,000-7,000
	108 DALE CHIHULY (American b.1941) Seaform, 1986 Blown glass Height: 7.25 inches/18.5 centimeters Diameter: 15.50 inches/39.4 centimeters Plum, yellow and opalescent glass with Clove Lip Wrap Signed and dated on the bottom “Chihuly, 1986”   Estimate: USD 3,000-5,000
	109 JANET EMMERICH (American, 20th Century) View from Window Oil on canvas 32 x 24 inches/81.3 x 61 centimeters Signed lower left “Janet Emmerich”   Estimate: USD 1,000-1,500
	110 CLAUDE RONALD BENTLEY (American 1915-1990) King & Queen, 1963 Mixed media collage on masonite 15.75 x 19.75 inches/40 x 50.2 centimeters Signed lower left “Claude Bentley” Verso: Signed and dated in blue ink “Claude Bentley, 1963;” Inscribed: “Collage – Masonite coated with liquitex gesso; Both sides rag paper adhered with Elmer’s glue; Liquitex acrylic polymer emulsion colors;” Titled on paper label   Estimate: USD 400-600
	111 HARRY D. BOURAS (American 1931-1990) A New Terrain, 1964 Mixed media sculpture 13.50 x 10 x 5 inches 34.3 x 25.4 x 12.7 centimeters Signed, dated, titled and inscribed on the reverse “H. Bouras, 1964, For 6K, A New Terrain;” Raised on a square wood plinth   Estimate: USD 600-800
	112 TUD KEMPF (American b.1886) Portrait of Gertrude  Abercrombie Wood relief panel 42 x 11 inches/106.7 x 27.9 centimeters Signed lower left “T. Kempf”   Estimate: USD 2,500-3000
	113 HARRY D. BOURAS (American 1931-1990) D’s Offering Metal Sculpture Height: 10 inches/25.4 centimeters Diameter: 12 inches/30.5 centimeters Initialed “H.B.” Titled on paper label affixed to base   Estimate: USD 600-800
	114 JOSE BERNAL (Cuban-American b.1925) Woman by the Beach, 1946 Oil on canvas 9.25 x 13.25 inches/23.5 x 33.7 centimeters Signed lower left and dated “J. Bernal, 1946” Frame: 14.75 x 18.75 inches   Estimate: USD 1,500-2,500
	115 AARON BOHROD (American 1907-1992) Cityscape, 1931 Watercolor and gouache on paper Sight: 14.75 x 13 inches/37.5 x 33 centimeters Signed and dated in pencil lower middle “Aaron Bohrod, 31” Frame: 22.50 x 20.25 inches   Estimate: USD 3,000-4,000
	116 THEODORE FRIED (American 1902-1980) Mother & Son Oil on canvas mounted on board 31 x 27 inches/78.7 x 68.6 centimeters Signed upper left “Th. Fried” Verso: Signed and titled “Th Fried, Mother & Son” Frame: 38.25 x 34 inches   Estimate: USD 2,000-4,000
	117 MENASHE KADISHMAN (Israeli b.1932) Floating, 1971 Aluminum sculpture Height: 7.4 inches/18.8 centimeters Length: 12.9 inches/32.8 centimeters Edition of 10 Signed, numbered and dated on base “M. Kadishman, 8/10, 1971”   Estimate: USD 1,500-2,500
	118 JOSE BERNAL (Cuban-American b.1925) Firefly Game, 1942 Oil on board 9 x 12 inches/22.9 x 30.5 centimeters Signed lower right and dated “J. Bernal, 1942” Frame: 11.50 x 14.50 inches   Estimate: USD 1,500-2,500
	119 STANISLAUS PORAY (Polish-American 1888-1948) River Landscape with Farm Oil on canvas 25 x 28 inches/63.5 x 71.1 centimeters Signed lower left "Stan Poray" Frame: 33.50 x 37 inches   Estimate: USD 2,000-3,000
	120 SIGISMUND IVANOWSKI (American 1875-1944) Nude in Landscape Oil on canvas board 15.50 x 11.50 inches/39.4 x 29.2 centimeters Unsigned Verso:  Estate stamp reading “I certify that this painting is by SIGISMUND IVANOWSKI, Mr. David Scott Perry (Grandson)” Frame: 16.50 x 20.50 inches   Estimate: USD 600-900
	122 PAUL CORNOYER (American 1864-1923) Central Park, the Boat Pond Oil on canvas 22 x 27 inches/55.9 x 68.6 centimeters Signed lower left “Paul Cornoyer” Frame: 27.50 x 32.75 inches   Estimate: USD 60,000-80,000
	123 IVAN GREGOREWITCH OLINSKY (Russian/American 1878-1962) Farmer Roscoe/The Philosopher Oil on canvas 44 x 36 inches/118.8 x 91.4 centimeters Signed lower right “Ivan G. Olinksy” Verso exhibition label reading “The University of Connecticut, The William Benton Museum of Art, ‘Faces of Change: The Art of Ivan G. Olinsky (1878-1962),’ June 20-August 22, 1995; 55, The Philosopher, circa 1937, oil on canvas” Verso gallery label reading “Vose Galleries of Boston, 238 Newberry Street, #31228 AD, Olinsky, Ivan G. (1878-1962), Farmer Roscoe, Oil on canvas, 44 x 36 inches, SLR” Frame: 52.50 x 44.25 inches   Estimate: USD 30,000-40,000
	124 AMERICAN SCHOOL (Mid-20th Century) Night Roller Skating Oil on canvas 34.25 x 44 inches/87 x 111.8 centimeters Unsigned Frame: 39 x 49 inches   Estimate: USD 4,000-6,000
	125 MERVIN CORNING (American 1926 -2007) Bunker Hill House Casein on paper 28 x 21 inches/71.1 x 53.3 centimeters Signed lower right "M. Corning" Frame: 35.50 x 28.75 inches   Estimate: USD 3,000-5,000
	126 DONG MOY CHU KINGMAN (American 1911-2000) House with Telephone Pole Watercolor on paper Sight: 16.50 x 15.25 inches/41.9 x 38.7 Signed lower right “Kingman” Frame: 28.50 x 25.75 inches   Estimate: USD 3,000-5,000
	127 EMILE ALBERT GRUPPE (American 1896-1978) Return of the Yankee Gloucester Oil on canvas board 12 x 16 inches/30.5 x 40.6 centimeters Signed lower right "Emile A. Gruppe" Verso: Signed and titled in black marker Frame: 18 x 22 inches   Estimate: 1,000-2,000
	128 GEORGE BOOTH POST (American 1906-1997) Canal with Telephone Pole Watercolor on paper Sheet: 17 x 24 inches/43.2 x 61 centimeters Signed lower right “George Post”   Estimate: USD 3,000-4,000
	129 IVAN GREGOREWITCH OLINSKY (Russian/American 1878-1962) The Model (A Series) Oil on canvas 21.25 x 17.25 inches/54 x 43.8 centimeters Unsigned Frame: 30 x 26 inches   Estimate: 12,000-16,000
	130 LEONARD HOWARD REEDY (American 1899-1956) Charging Steer Watercolor on paper, mounted on cardboard Sheet: 9 x 12 inches/22.9 x 30.5 centimeters Signed lower left "Leonard H. Reedy" Frame: 14 x 16.50 inches   Estimate: USD 400-600
	131 LEONARD HOWARD REEDY (American 1899-1956) Mounted War Party Watercolor on paper, mounted on cardboard Sheet: 9 x 12 inches/22.9 x 30.5 centimeters Signed lower left "Leonard H. Reedy" Frame: 14 x 16.50 inches   Estimate: USD 400-600
	132 PATRICIA JANIS BRODER Bronzes of the American West New York: Harry Abrams Inc., 1973, oblong 4to, gilt-lettered, green cloth, dust jacket, 511 illustrations, including 48 full color plates, introduction by Dr. Harold McCracken, signed in black ink by the author “Best Wishes, Patricia Janis Broder”   Estimate: USD 250-500
	133 WILLIAM DARLING (Native American, 20th Century) Warrior on Horse Gouache on paper 13.75 x 12.50 inches/34.9 x 31.8 centimeters Signed lower left “Wm  Darling -Was-co-nabie” Frame: 19.75 x 17.50 inches   Estimate: USD 400-800
	134 LEONARD HOWARD REEDY (American 1899-1956) The Eagle Dance Watercolor on paper, mounted on artist's board Sheet: 13.50 x 18 inches/34.3 x 45.7 centimeters Signed lower left "Leonard H. Reedy" Frame: 19.50 x 24 inches Estimate: USD 3,000-4,000
	135 CHARLES CRAIG (American 1846-1931) Ute Warrior on Horseback Watercolor on paper, 1894 19.50 x 13.75 inches/49.5 x 34.9 centimeters Signed lower right "Chas Craig" Frame: 24.25 x 20.75 inches Verso gallery label reading: "From A. Morgan, Gilder, Picture Framer & c., Brattle Square, Cambridge, Mass." In pencil on label it reads "Apr. 1894"    Estimate: USD 4,000-6,000
	136 AFTER FREDERIC REMINGTON (American 1861 - 1909) Downin' the Nigh Leader Oil on canvas 20 x 32 inches/50.8 x 81.3 centimeters Unsigned            Frame: 24 x 36 inches   Estimate: USD 4,000-6,000
	137 MARJORIE JANE REED (American 1915-1997) Night Stage in Desert Land Oil on artist's board 16 x 12 inches/40.6 x 30.5 centimeters Signed lower right "Marjorie Reed;" Verso: Signed and titled on white sticker "Night Stage in Desertland, by Marjorie Reed" Estimate: USD 4,000-6,000
	138 BENTON HENDERSON CLARK  (American 1895-1964) Smoke Offering to the Great Spirit Oil on board 24 x 27 inches/61 x 68.6 centimeters Signed lower right “Benton Clark” and dated 192(?) ("0" or "6") Frame: 34.75 x 31.75 inches Estimate: USD 6,000 – 8,000
	139 AFTER FREDERIC REMINGTON (American 1861 - 1909) The Savage (Indian Brave) Lost wax cast, patinated bronze Height: 10.50 inches/26.7 centimeters Signed on base "'Frederic Remington, 1908" Stamped on base "Roman Bronze Works, N.Y. 152"   Estimate: USD 1,500 – 2,500
	140 WALTER UFER (American 1876-1936) Standing Male Nude, 1912 Charcoal on paper Sheet: 24.50 x 18.50 inches/62.2 x 47 centimeters Signed lower right and dated "W. Ufer, 1912" Frame: 28.25 x 22.75 inches   Estimate: USD 800-1,200
	141 MARJORIE JANE REED (American 1915-1997) Pueblo Oil on artist's board 16 x 20 inches/40.6 x 50.8 centimeters Signed lower right "Marjorie Reed;" Verso: Titled in pencil "Pueblo" Frame: 20.50 x 24.50 inches Estimate: USD 6,000-8,000
	142 OSCAR EDMUND BERNINGHAUS (American 1874-1952) The Pursuit of Geronimo, 1900 Oil on canvas 24 x 36 inches/61 x 91 centimeters Signed and dated lower right, "O.E. Berninghaus, 1900" Frame: 32.25 x 44 inches   Two verso gallery labels reading “Fenn Galleries” Verso stamp reading “Fenn Galleries LTD.” Verso gallery label reading “Biltmore Galleries” Verso gallery label reading “Gerald Peters Gallery”   Verso inscription on foam core in ink reading “This painting, The Pursuit, was purchased from the artist in his studio in St. Louis in 1900 by Mr. Milo Bekin (later to be known for his moving and storage co.).  It was given to the Boy Scouts of America in 1939 and purchased from them by Fenn Galleries in 1974.  It is mentioned in “Pioneer Artists of Taos” by Laura Bickerstaff as indicated hereon.  Signed “Forrest Fenn”   Estimate: USD 200,000-300,000
	143 NICOLAI IVANOVICH FECHIN (Russian-American 1881-1955) Eya Charcoal on paper 20 x 15.5 inches/51 x 39 centimeters Initialed lower right "N.F." Frame: 27.25 x 22.75 inches Estimate: USD 8,000-12,000
	144 CHARLES FRITZ (American b.1955) Where the High Desert Breaks, 1995 Oil on board 10 x 15 inches/25.4 x 38.1 centimeters Signed lower left “C. Fritz” Verso: Label reading “Charles Fritz, (b.1955), Where the High Desert Breaks, 1995, 10 x 15 inches, oil on board, SLL” Frame: 14.25 x 19.25 inches   Estimate: USD 4,000-6,000
	145 VICTOR COLEMAN ANDERSON (American 1892-1937) Desert Mountain Climbing Oil on board 16 x 12 inches/40.6 x 30.5 centimeters Signed lower left "Victor C. Anderson;" Verso: Titled, signed and inscribed with artist’s address in pencil "Desert Mountain Climbing, Victor Anderson" Frame: 20 x 16.25 inches Estimate: USD 2,500-3,500
	146 LEE F. CONREY (American b.1881) Sleep Walking Can be Tragic (The American Weekly, May 18, 1947, Magazine Illustration) Gouache on board 24 x 12 inches/61 x 30.5 centimeters Signed lower right “Lee Conrey” Verso: American Weekly stamp, Reference Library, New York; Label reading “Alseep and unconscious of her act, Jo Ann Kiger fired 15 shots from three revolvers killing her father and brother” Frame: 30.75 x 18.25 inches   Estimate: USD 600-900
	147 DICK OLDDEN (American, 20th Century) At the Risk of Being Obvious (Laborer Holding Hand Shovel Speaking to Two Other Laborers Digging in Ground While Three Huge Earth Movers Idle Unused in Background) Ink and charcoal on paper Image: 11.50 x 12 inches/29.2 x 30.5 centimeters Sheet: 17 x 14 inches/43.2 x 35.6 centimeters Signed lower right “Oldden,” caption written below image, with artist’s circular embossment stamp lower right; Verso: Artist’s ink stamp Frame: 20.50 x 17.50 inches   Estimate: USD 600-1,000
	148 DICK OLDDEN (American, 20th Century) At First I Thought it was Just Another Cockeyed Theory (Lobster Monger Speaking to Sailor as Lobsters Walk out of the Ocean into a Boiling Barrel) Ink and charcoal on paper Image: 14.75 x 12.25 inches/37.5 x 31.1 centimeters Sheet: 17 x 14 inches/43.2 x 35.6 centimeters Signed lower right “Oldden,” caption written below image, with artist’s circular embossment stamp lower right; Verso: Artist’s ink stamp Frame: 20.50 x 17.50 inches   Estimate: USD 600-1,000
	149 DICK OLDDEN (American, 20th Century) Untitled Three-Part Illustration (1. Caveman with Club Looking Around 2. Caveman Dragging Cave Woman into Cave 3. Cave Woman Modeling for Caveman as He Paints Wall) Ink and charcoal on paper Image: 15.50 x 12.75 inches/39.4 x 32.4 centimeters Sheet: 17 x 14 inches/43.2 x 35.6 centimeters Signed lower right “Oldden,” with artist’s circular embossment stamp lower left; Verso: Artist’s ink stamp Frame: 20.50 x 17.50 inches